intonate

[…] we have no doubt whatever that the recitation of verse on the stage was of an artificial and semi-musical character. It was undoubtedly much more sustained and intonated with a slow and measured stateliness, which, whilst harmonizing it with the other circumstances of solemnity in Greek tragedy, would bring it nearer to music.

“Is this Mr. O’Connor’s chamber?” inquired a voice of peculiar richness, intonated not unpleasingly with a certain melodious modification of the brogue […]

The composer so ordered it, that the king’s part should be one holding note, in a pitch proper for a Contratenor, for that was the king’s voice. Nor was he inattentive to other particulars, for he contrived his own part, which was the Bass, in such a manner, that every other note he sung was an octave to that of the king, which prevented his majesty from deviating from that single note which he was to intonate.

But agaynst all such as contemne the holy scriptures & cast awaye the law of theyr LORDE God, wyllynge neither to enter them selues, nor yet suffryng other, christ intonateth and thonderethe on this manner […]